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Flora von Roeder is one of thousands of direct descendants of a family in a Germanic entity in Europe called Anhalt. The family can theoretically be traced back to 1218 and is documented back to 1390. Those are spans of 795 and 613 years, respectively. Her intent here is to show how the main branch of this family emigrated from the European continent to the North American continent and to show its ability to establish roots and grow and multiply in an entirely different lifestyle under primitive circumstances into a clan that stretches today into many U.S. States, Canada, Mexico, back into European France and Germany, and to Hong Kong, and Australia. Between 1834 and today, there are as many as eight or nine generations of this family, most of whom were born in the U.S. Many do not carry the original surname, and many who do have changed it. Because the English alphabet does not carry the umlaut, an "e" was inserted after the "o" to make the spelling more accurate, and that made the pronunciation more confusing. Today we have "von Roeders," "von Raders," "von Raeders, and many have just dropped the "von" altogether, so we have just "Roeders." And, of course, there were the name changes through marriage; i.e., Engelking, Kleberg, Eckhardt, Binz, Wundt, Flato, Van Hutton, Regenbrecht, etc. Nevertheless, all can still be traced back to those knights called Koppen (Jacob) and Hans Röder or von Röder in a feudal letter awarding them noble lands at Harzgerode, Anhalt, in 1390.

Flora von Roeder is one of thousands of direct descendants of a family in a Germanic entity in Europe called Anhalt. The family can theoretically be traced back to 1218 and is documented back to 1390. Those are spans of 795 and 613 years, respectively. Her intent here is to show how the main branch of this family emigrated from the European continent to the North American continent and to show its ability to establish roots and grow and multiply in an entirely different lifestyle under primitive circumstances into a clan that stretches today into many U.S. States, Canada, Mexico, back into European France and Germany, and to Hong Kong, and Australia. Between 1834 and today, there are as many as eight or nine generations of this family, most of whom were born in the U.S. Many do not carry the original surname, and many who do have changed it. Because the English alphabet does not carry the umlaut, an "e" was inserted after the "o" to make the spelling more accurate, and that made the pronunciation more confusing. Today we have "von Roeders," "von Raders," "von Raeders, and many have just dropped the "von" altogether, so we have just "Roeders." And, of course, there were the name changes through marriage; i.e., Engelking, Kleberg, Eckhardt, Binz, Wundt, Flato, Van Hutton, Regenbrecht, etc. Nevertheless, all can still be traced back to those knights called Koppen (Jacob) and Hans Röder or von Röder in a feudal letter awarding them noble lands at Harzgerode, Anhalt, in 1390.

USB 3.1, generation 1 USB-C to DVI adapter expands the potential of your tablet, laptop, Chromebook, MacBook, smartphone or PC's USB-C or Thunderbolt 3 port. Plug-and-play technology makes installation quick and simple - with no software or drivers to install. Fumble-free, reversible USB-C plug connects in either direction for a quick connection every time. To send HD video to a DVI TV, projector or monitor, connect the DVI port to the display using a DVI cable (sold separately). The port supports DVI single-link video resolutions up to 1920 x 1080 (1080p) at 60 Hz and DVI digital transfer rates up to 6.75 Gbps (2.25 Gbps per channel). Adapter is perfect for transmitting 1080p video to a large display, adding a thumb drive or other USB peripheral, powering and charging a PD Charging-compliant mobile device, and connecting to a Gigabit Ethernet network - all at the same time.

For generations, among those who revere the work of Carl von Clausewitz, the role of his beloved wife, née Marie von Brühl, in shaping his seminal work on military theory has been a subject of intense speculation. It seems certain that without her On War would never have been published. But as historian and Clausewitz scholar Vanya Eftimova Bellinger establishes in this ground-breaking biography of the "other" Clausewitz, Marie was far more than merely a supportive wife who facilitated her husband's legacy. Marie's 1810 marriage to von Clausewitz did not make sense by most accounts (least of all to her mother). She was a wealthy, cultured, and politically engaged young woman; he was a minor Prussian officer. But the bond between Marie and Claus was forged by love, a deep sense of trust, and a meeting of the minds over common interests. A newly discovered archive of correspondence reveals the extent of Marie's influence on her husband, beginning with the very early days of the courtship and lasting until his premature death. The two came to a "collaborative opinion" on many topics, from the moral implications of war to the emotional constitution of true leadership. Marie's involvement, too, adds insight about the role of class and gender relations in a time when women were excluded from politics-the perspective of a spouse and caretaker on the home-front, observing the physical and emotional effects of combat. The issues that Marie von Clausewitz raised about the hardships of war - such as the social isolation and treatment of veterans, and the use of violence to achieve political and economic rights - still resonate today. This biography sheds light on an extraordinary life and mind, offering the first comprehensive and compelling look at the woman behind the composition of On War.

The Austrian writer Hugo von Hofmannsthal (1874-1929) was one of the great modernists in the German language, but his importance as a major intellectual of the early twentieth century has not received adequate attention in the English-speaking world. One distinguished literary scholar of his generation called Hofmannsthal a spiritual-moral authority of a kind German culture had only rarely produced. This volume provides translations of essays that deal with the Austrian idea and with the distinctive position of German-speaking Austrians between German nationalism and peoples to the East, whether in the Habsburg Monarchy or beyond it, as well as essays that locate Hofmannsthal's thinking about Austria in relation to the broader situation of German and European culture. It is the true accomplishment of this translation that Hofmannsthal's language, recreated in a clear and elegant English, regains its melody of an earlier time. If there ever was a captivating documentation of the European potential of Austria beyond the stereotypes of Vienna at 1900, it has been brought together in this volume of essays that responded to the tragic challenges of World War I in a constructive way. Frank Trommler, University of Pennsylvania

Born in 1971, painter Tim Eitel is one of the leading representatives of the Leipzig school, and belongs to a group of young German artists currently giving impetus to the return of painting to contemporary art. Eitel creates sharply observed, figurative, and non-judgemental images of his generation and their social and cultural interaction. His painterly oeuvre is reminiscent of photographic and film images of the 1990s. Accompanies the exhibition at the Museum zu Allerheiligen/ Kunstverein Schaffhausen and features the majority of Eitel's paintings to date.

The Austrian writer Hugo von Hofmannsthal (1874-1929) was one of the great modernists in the German language, but his importance as a major intellectual of the early twentieth century has not received adequate attention in the English-speaking world. One distinguished literary scholar of his generation called Hofmannsthal a spiritual-moral authority of a kind German culture had only rarely produced. This volume provides translations of essays that deal with the Austrian idea and with the distinctive position of German-speaking Austrians between German nationalism and peoples to the East, whether in the Habsburg Monarchy or beyond it, as well as essays that locate Hofmannsthal's thinking about Austria in relation to the broader situation of German and European culture. It is the true accomplishment of this translation that Hofmannsthal's language, recreated in a clear and elegant English, regains its melody of an earlier time. If there ever was a captivating documentation of the European potential of Austria beyond the stereotypes of Vienna at 1900, it has been brought together in this volume of essays that responded to the tragic challenges of World War I in a constructive way. Frank Trommler, University of Pennsylvania

Through the lens of five generations of Thaddens, this book tells the history of Trieglaff, the village and family estate located in what is now western Poland, from Napoleon’s occupation in 1807 to the Red Army’s invasion in 1945 and until the departure of the last Thaddens in 1948. At the center of this history of Trieglaff society, economy, politics, and culture is the von Thadden family, notably, Adolph Ferdinand von Thadden, the head of the pietistic revival in Pomerania, and Reinold von Thadden-Trieglaff, the founder of the German Protestant Kirchentag. It intertwines family history with the political history of Germany through its description of Otto von Bismarck’s close associations with Trieglaff in the 19th century and its deliberation of the execution of Elisabeth von Thadden, arising out of her resistance to the Nazis, in the 20th century. The source material is richly supplemented by family records kept by “Trieglaffers” in America and from correspondence between Pomerania and America. The book examines the lives of individuals as well as socio-economic and cultural structures, depicting the dynamic changes that the village experienced throughout some 150 years of German and European history; it might be called world history in microcosm. As juxtaposition of formal history and remembered history, it is a serious scholarly source as well as an engaging read.

Meet Alexander von Humboldt: the great lost scientist, visionary, thinker and daring explorer; the man who first predicted climate change, who has more things named after him than anyone else (including a sea on the moon), and who has inspired generations of writers, thinkers and revolutionaries . . . In The Adventures of Alexander von Humboldt , 88-year-old Humboldt takes us on a fantastic voyage, back through his life, tracing his footsteps around the rainforests, mountains and crocodile-infested rivers of South America when he was a young man. Travel with him to Venezuela, to Lake Valencia, the Llanos and the Orinocco, and follow him during his time in Cuba, Cartagena, Bogota and his one-year trek across the Andes, as he climbs the volcano Chimborazo, explores Inca monuments, and visits Washington D.C. to meet Thomas Jefferson and campaign for the abolition of slavery. With encounters with indigenous peoples, missionaries, colonists and jaguars, and incorporating Humboldt's own sketches, drawings and manuscripts, this is a thrilling adventure story of history's most daring scientist.

For generations, among those who revere the work of Carl von Clausewitz, the role of his beloved wife, née Marie von Brühl, in shaping his seminal work on military theory has been a subject of intense speculation. It seems certain that without her On War would never have been published. But as historian and Clausewitz scholar Vanya Eftimova Bellinger establishes in this ground-breaking biography of the "other" Clausewitz, Marie was far more than merely a supportive wife who facilitated her husband's legacy. Marie's 1810 marriage to von Clausewitz did not make sense by most accounts (least of all to her mother). She was a wealthy, cultured, and politically engaged young woman; he was a minor Prussian officer. But the bond between Marie and Claus was forged by love, a deep sense of trust, and a meeting of the minds over common interests. A newly discovered archive of correspondence reveals the extent of Marie's influence on her husband, beginning with the very early days of the courtship and lasting until his premature death. The two came to a "collaborative opinion" on many topics, from the moral implications of war to the emotional constitution of true leadership. Marie's involvement, too, adds insight about the role of class and gender relations in a time when women were excluded from politics-the perspective of a spouse and caretaker on the home-front, observing the physical and emotional effects of combat. The issues that Marie von Clausewitz raised about the hardships of war - such as the social isolation and treatment of veterans, and the use of violence to achieve political and economic rights - still resonate today. This biography sheds light on an extraordinary life and mind, offering the first comprehensive and compelling look at the woman behind the composition of On War.

Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula.This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula.This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

USB 3.1, generation 1 USB-C to DVI adapter cable (M/M) helps you transmit video from your tablet, laptop, Chromebook, MacBook, smartphone or PC to a DVI-enabled monitor or projector. Plug-and-play technology makes installation quick and simple, with no software or drivers to install. The fumble-free, USB-C plug connects in either direction to ensure a fast, easy connection every time. Gold-plated connectors and contacts provide maximum conductivity and minimum data loss. Foil and braid shielding protects against EMI/RFI line noise that can distort or destroy data. Integral strain relief helps cable and connectors move freely without stress or cracking for lasting use. With a source device that also supports USB DisplayPort Alternate Mode, you can extend video from your primary display to another, duplicate the same video on both displays, or change the second display to your primary.

Find the ultimate solution for large-scale installations with the HDTools 4 LC Fiber Optic to DVI + Analog/Digital Audio Full HD Receiver, operating at a frequency range of 25-165MHz. This next-generation device from PureLink is expertly designed to extend DVI content at 1080p to impressive distances of up to 5000 feet, while maintaining full HDCP compliance for secure, high-quality transmission.The robust LC Fiber Optic cable is engineered to withstand the rigors of being pulled through long conduit paths without incurring any damage. This ensures a reliable and durable connection between the separate transmitter and receiver modules located at each end of the installation.Each module is equipped with an AC power source and features an LED display that provides real-time confirmation of resolution status. This advanced receiver stands out from its predecessor, the OBC I, by eliminating the need for a CAT 5 cable to carry the DDC signals and 5v power source. Instead, the HDTools 4 LC Fiber Optic to DVI + Analog/Digital Audio Full HD Receiver utilizes its exclusive Auto-EDID management feature, allowing it to extend its reach up to 5000 feet using fiber only, while still maintaining full HDCP compliance.Experience the power and convenience of fiber optic technology with this innovative receiver, designed to deliver high-definition audio and video content seamlessly over long distances.

The anniversary decor was created by Lucia de Quiqueran, a member of the tenth generation of the von Boch family who is studying at the University of Applied Arts Vienna. Her graphic and illustrative style features a group of figures in a dynamic dance formation around the cup, presenting a fun take on community, joy and connection in light yet expressive strokes.\n The anniversary cup is perfect for every occasion - from a cozy coffee in bed to a coffee break at the office, but it is also an ideal gift for collectors. Discover the anniversary cup collection from the von Boch and Villeroy families.

The exclusive anniversary decor was designed by the young artist Carl-Angelo Kivu, from the tenth generation of the von Boch family. His design features an artistic interpretation of a very personal childhood memory and creates an illustrative effect in vibrant colors that radiate bright optimism.\n The anniversary cup is perfect for every occasion - from a cozy coffee in bed to a coffee break at the office, but it is also an ideal gift for collectors. Discover the anniversary cup collection from the von Boch and Villeroy families.

Einzelst ck!Paradis Avalon der ersten Generation. Nummer 91001. Wurde von dem ber hmten deutschen Gitarristen Sigi Schwab 1991 gekauft, und auf sei...

Die Behandlung von Säuglingen und Kindern nach dem Bobath-Konzept. Ein Ratgeber für Eltern, Therapeuten und Erzieher Buch Dieses Buch führt auf fundierte und einfühlsame Weise in das ganzheitlich orientierte Bobath-Konzept ein. Dabei berücksichtigt es neueste Erkenntnisse über Lernprozesse und Regenerationsmöglichkeiten des geschädigten Gehirns. Gerade im Umgang mit Babys und behinderten Kindern hat sich das Bobath- Konzept in der Praxis bestens bewährt. Es zeigt, wie Therapeuten und Eltern ihr Kind - auch wenn es behindert ist - mit Handling und vielfältigen Anregungen liebevoll dabei unterstützen können, seine Fähigkeiten voll zu entfalten. Eine Fülle praktischer Beispiele wird durch viele Fotos anschaulich. Unter den zahlreichen Ratgebern und erapiebüchern erhebt sich hier eine Stimme, die etwas sehr Einfaches in Erinnerung bringen will: dass wir ein Kind als Wesen mit einem großen Potential betrachten sollten, das es entdecken und freizusetzen gilt. Für Therapeuten und Ärzte besonders wertvoll sind die von der Autorin entwickelten Befundbögen nach Bobath. Sie sind interdisziplinär verwendbar underleichtern die tägliche Arbeit für Physiotherapeuten, Logopäden, Ergotherapeuten und Ärzte. Der Leitgedanke, mehr Gewicht auf die Stärken eines Kindes zu legen als auf seine Schwächen, zieht sich wie ein roter Faden durch das ganze Buch. Zeig, was du kannst: Die Behandlung von Säuglingen und Kindern nach dem Bobath-Konzept Anne Söller Richard Pflaum Verlag GmbH & Co. KG Zeig, was du kannst: Die Behandlung von Säuglingen und Kindern nach dem Bobath-Konzept Anne Söller Physiotherapeuten Logopäden Ergotherapeuten Ärzte Medizinische Fachberufe Gesundheitsfachberufe Verstehen Kinder mit Behinderung Physiotherapie Behandlung Gesundheit Bobath Therapie körperlich eingeschränkte Kinder Bobath Konzept; Bobath Medizin Ratgeber für Eltern Orientieren Physiotherapeut Logopäde Ergotherapeut Bobath-Betroffene In deutscher Sprache. 332 pages. 24 x 30 cm

Siemens AG and the Orchestra Academy of the Bayerisches Staatsorchester are linked by a partnership spanning many years. What began with the family of the firm's founder Werner von Siemens, has continued across the generations through to today's company. The intensive fostering of young talent, be it in science, research, art, culture, business or technology, is today Siemens' credo, one that sees the company live it's social responsibility in a sustainable manner. Siemens can look back on a lon

German Exploration of the Polar World is the exciting story of the generations of German polar explorers who braved the perils of the Arctic and Antarctic for themselves and their country. Such intrepid adventurers as Wilhelm Filchner, Erich von Drygalski, and Alfred Wegener are not as well known today as Robert Falcon Scott, Roald Amundsen, Ernest Shackleton, Robert E. Peary, or Richard E. Byrd, but their bravery and the hardships they faced were equal to those of the more famous polar explorers.In the half-century prior to World War II, the poles were the last blank spaces on the global map, and they exerted a tremendous pull on national imaginations. Under successive political regimes, the Germans threw themselves into the race for polar glory with an ardor that matched their better-known counterparts bearing English, American, and Norwegian flags. German polar explorers were driven, like their rivals, by a complex web of interlocking motivations. Personal fame, the romance of the unknown, and the advancement of science were important considerations, but public pressure, political and military concerns, and visions of immense, untapped wealth at the poles also spurred the explorers.As historian David Thomas Murphy shows, Germany's repeated encounters with the polar world left an indelible impression upon the German public, government, and scientific community. Reports on the polar landscape, flora, and fauna enhanced Germany's appreciation of the global environment. Accounts of the indigenous peoples of the Arctic, accurate or fantastic, permanently shaped German notions of culture and civilization. The final, failed attempt by the Nazis to extend German political power to the earth's ends revealed the limits of any country's ability to reshape the globe politically or militarily.